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rearrangements

By Heather Simon ·

Painting toward a convergence of heart and theory.

This series of ink and watercolor on paper arose from conflicts of progress and longing—finding home in the City and letting go of the West Coast. The words were torn from notes on the writing process—what we’re writing for and against, personal and bigger-picture stakes. Ultimately, I want the convergence of image and text fragment to express a more intimate relationship between heart and theory.

~ Heather Simon

p1_whichway_comic2_frame p2_artifacts_comic_frame P3_cutusout_comic_frame_narrow p4_startobreast_comic_frame p5_wewait_comic_frame p6_wires_comic_frame p7_cutting_comic3_frame

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Heather Simon

Heather Simon is a California native with an MFA in Creative Writing and Literary Translation from Queens College where she currently teaches. Her written and visual work often converges, drawing inspiration from the ocean, mythology, astronomy, and skateboarding. Recent print and online publications include, Ink Brick, Nomadic Sojourns Journal, Blunderbuss Magazine, The Rumpus. See more at www.inkmonstersink.com

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We are Blunderbuss Magazine, a web magazine of arts, culture, and politics, an ordnance of fire and improvisation. What ties together these essays, stories, poems, photographs, comics, and other bits of aesthetic shrapnel is a common attitude of visceral humanism. We aim for earnest noise. We want to splash in the mud of lived experience, to battle for a radical empathy, and to provide a megaphone to howling assertions of human subjectivity.

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