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How To Be A Nationalist with James T. Hong

By The Editors · February 9, 2017
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When:
February 16, 2017 @ 7:30 pm – 10:30 pm
2017-02-16T19:30:00-05:00
2017-02-16T22:30:00-05:00
Contact:
Event website
Screenings and Theater
Arts East Asia Nationalism

Following three groups of nationalists from China, Taiwan, and Japan, Terra Nullius or: How to be a Nationalist focuses on the geopolitical issues surrounding the disputed islands known in Japanese as “Senkaku,” in Chinese as “Diaoyutai” or “Diaoyudao,” and in English as the “Pinnacle Islands,” and the filmmaker’s attempts to set foot upon them. Claimed by Japan, China, and Taiwan, these minor, remote, and uninhabited islands, only approximately 7 square kilometers in size, are located roughly 170 kilometers northeast of Taiwan, 330 kilometers east of China, and 170 kilometers northwest of the westernmost tip of the Japanese Ryukyu Islands.

After WWII, the islands were administered by the US government as partof its occupation of Okinawa. Currently the Diaoyu/Senkaku islands are controlled by Japan, which received administration rights in 1971 from the United States.

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James T. Hong is a filmmaker and artist based in Taiwan. He has produced works about Heidegger, Spinoza, Japanese biological warfare, the Opium Wars, and racism and most recently completed a documentary about nationalism and disputed territory in the East China Sea. He is currently researching the concept of morality in East Asia and recently presented a new experimental work about Nietzsche and metempsychosis at the 2016 Taipei Biennial.

—–

We are grateful for support for this event! This presentation is made possible in part with public funds from the New York State Council on the Arts’ 2017 Electronic Media and Film Presentation Funds Grant program, administered by The ARTS Council of the Southern Finger Lakes.

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We are Blunderbuss Magazine, a web magazine of arts, culture, and politics, an ordnance of fire and improvisation. What ties together these essays, stories, poems, photographs, comics, and other bits of aesthetic shrapnel is a common attitude of visceral humanism. We aim for earnest noise. We want to splash in the mud of lived experience, to battle for a radical empathy, and to provide a megaphone to howling assertions of human subjectivity.

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