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Poems

Three Poems

By Jess Feldman @jessfeldman ·

Silent Victory

In a clinking swarm all the sunglasses
you ever lost return to your face
Shaded arachnid vision extricates
itself from lake beds sewer grates
the depths of your filthy sedan
Who knew they were migratory
that home was a landscape
with your nose

 

Werewolf at City Edge

The further outside the city limits
the larger the dogs
the larger the yards
the more space to punt a ball
and to never see it again
Beneath the overpass
this man in a blazer
clutches his ribcage
like a dozen rock lobsters

have come clawing
for the opening
in the paper bag
where the booze once was
I make the smallest noises
as I walk
just another human spirit
restless as a cockroach
creeping into Saturday
on pencil-thin legs
uninvited

 

Why aren’t we friends anymore

Cold November night without a coat,
what astral planes am I supposed to be

operating on when we aren’t friends anymore?

You who were an ice floe peopled with bears.
You who were baked Alaska melting and no one certain how to salvage the ruin.
Maybe I never liked you.

There’s a lone chiweenie sniveling in the stairwell outside
or maybe that’s just the whine of the super’s power-drill losing its charge.
Or if it’s the chiweenie, maybe she’s the lost dog on the poster. You know,
the beloved friend with a bounty on her head running scared?

 

_______________

Image by Lilit Matevosyan

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Jess Feldman

Jess Feldman's poetry has appeared in Vinyl, Boog City Review, The Portland Review, Tuesday; An Art Project and elsewhere. Her manuscript Call It a Premonition was chosen by Zachary Schomburg as winner of the 2015 BOAAT Winter Chapbook Competition. She currently lives in Brooklyn, NY. Follow Jess on Twitter: @jessfeldman

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We are Blunderbuss Magazine, a web magazine of arts, culture, and politics, an ordnance of fire and improvisation. What ties together these essays, stories, poems, photographs, comics, and other bits of aesthetic shrapnel is a common attitude of visceral humanism. We aim for earnest noise. We want to splash in the mud of lived experience, to battle for a radical empathy, and to provide a megaphone to howling assertions of human subjectivity.

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