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Poems

The Revelation on TV

By Gabriella R. Tallmadge @GRTallmadge ·

No more looking outside for good
this time. The resurrected dead can scratch
their hands to mash, puke against
the doors, rag their faded clothes stupid

but the boards aren’t coming off the windows.
All gnarling, all radio—I won’t think about
the thrash-step monsters from the broadcasts
anymore. I want acceptable levels of gore,

my splatter film party trays of sheep guts
glowing beautifully. I’m watching
Zombie movies until it’s all over out there.
I’d just rather those cinematic episodes

of violence, those monochromatic atrocities,
those delightfully orchestrated eat scenes
shuffling around in my brain. Each death
resurrects with a rewind, and film leaves

no residue of kill-guilt afterwards. Used to be
I wanted something from outside
these farmhouse windows. I remember
hanging signs:  WELCOME/ALIVE/SAFE/

INSIDE. They’ll come back or they won’t,
but the best thing about the living, about
the dead: we’ll all get to see some blood,
laugh when there’s no happy ending.

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Gabriella R. Tallmadge

Gabriella R. Tallmadge lives in North Carolina with her husband and her Chihuahua, Cyborg. She currently teaches creative writing to undergraduates at the University of North Carolina Wilmington. Her work is published or forthcoming in War, Literature & the Arts, Undercurrents Magazine, and Ramblings On.

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We are Blunderbuss Magazine, a web magazine of arts, culture, and politics, an ordnance of fire and improvisation. What ties together these essays, stories, poems, photographs, comics, and other bits of aesthetic shrapnel is a common attitude of visceral humanism. We aim for earnest noise. We want to splash in the mud of lived experience, to battle for a radical empathy, and to provide a megaphone to howling assertions of human subjectivity.

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