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Poems

assimilation

By Amber Atiya ·

the last flower i saw in south suicide
queens was on a little girl’s tee, a trio
of violets banged up with giddiness—
it sure would be nice to get some

shade in this neighborhood, cool
down the hot heads, make people
speak peace to each other, get it?
i got some bamboo indoors   lotsa

blacks got   bamboo indoors
big dumbo leaves   gold-streaked
green   beautiful oafs   like those kids
who get on the special bus

barking at the sky bandaged
in clouds   a carton of triple-chinned
strawberries discarded curbside
the funky sweet of overripe fruit

changes your posture, makes you
walk upright, proud
of your second-hand style
your mind creates an explosion

of flowers you can’t identify   petals
lilac   carmine   canary and all you
wanna do is let your hands become
ostriches, bury porgy and king

deep in flour and meal, you wanna
slay them bad boys the way
your moms did, every piece red-
boned from sazon con culantro

chug something don’t need
a corkscrew, something that cracks
loud as a grown man’s knuckles
whose fizz rivals canola seething

in your bestest, oldest skillet—
i know well a cast iron pot’s
multifunction for cook and kill
have seen a couple step-dads go

toe to toe with mi madre, chests
puffed up like puri bread
which tastes   ten times better
than the mens   i’ve had

 

___________________________

Image by Christina Frederiksen

 

 

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Amber Atiya

Amber Atiya, a queer poet and native Brooklynite, has performed at the Nuyorican Poets Café, Theater for the New City, Westbeth Center for the Arts, and many elsewheres. Her poems have been published in Tribes Magazine, Drunken Boat, and Coloring Book, an anthology of multicultural writers. She is a member of a women’s writing group, with whom she’s been writing for ten years and counting.

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We are Blunderbuss Magazine, a web magazine of arts, culture, and politics, an ordnance of fire and improvisation. What ties together these essays, stories, poems, photographs, comics, and other bits of aesthetic shrapnel is a common attitude of visceral humanism. We aim for earnest noise. We want to splash in the mud of lived experience, to battle for a radical empathy, and to provide a megaphone to howling assertions of human subjectivity.

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