"That was when I knew, however eerily, I had an obligation to the material."
By Hannah Lillith Assadi"For me, the hardest part of writing is the work you have to do not-writing."
By Lynn Steger StrongThe power of images, from Monet to the moon.
By Nick MirzoeffOn editing, El Greco, and finding the right wrong note.
By Garth GreenwellThe (literal) pain of revision.
By Carmiel BanaskyOn Magritte, a woodchuck, and merciless edits.
By Jay Deshpande"Stories thrive, I think, on chaos."
By Lincoln MichelSoft pants, sweet pups, and the making of a hypnotic debut.
By Tracy O'NeillThe secret to a stunning debut novel? Glue-sticking till the break of dawn.
By Julia Pierpont© 2014 Blunderbuss Magazine. All rights reserved.